But the decision to alter the storyline with Peeta’s leg really troubles me because of what it symbolises. Peeta becomes a prominently disabled character in the series, and his disability becomes part of his experiences. At the same time though, he’s not defined by the disability, consumed by it, and placed in the narrative for the sole purpose of constantly reminding everyone that he’s disabled. Peeta, like other characters, is scarred by the world he lives in, and he bears a visible mark of the cruelty and brutality of Panem, but more importantly, he’s another person trying to survive and build a better world. By neatly cutting that entire plotline away, the filmmakers avoided some tangled and thorny issues.
Like the fact that Peeta is supposed to be a love interest. I can’t help but feel one of the reasons the amputation storyline was taken out was because the filmmakers don’t think amputees can be love interests, or think that the reality of the amputation might be offputting to audiences who wouldn’t be able to identify with the characters if Katniss fell in love with a disabled Peeta, because that sort of thing Isn’t Done. Furthermore, obviously no amputees engage with media and pop culture and certainly don’t want to see versions of themselves on screen, so that angle didn’t need to be considered when preparing the film adaptation.
They probably also feared the idea of a character who happens to be disabled; they couldn’t let him get fitted for a prosthesis and get on with his life. They would have felt compelled to wrap up some kind of special story in it, even though that’s not necessary. Riding right over that storyline can be justified by saying they don’t have time to do it, with all the other things that need to be included. Just like they didn’t have time to view actresses of colour and nonwhite actresses while they were making decisions about the casting of Katniss. Making movies is very busy work, people.
And, of course, Peeta doesn’t comply with narratives above disability. His withdrawal and depression at the beginning of the second book are more about his emotional state over Katniss, rather than his leg. As a character, he’s physically active as well as politically defiant, once he begins to grow into himself. This isn’t what amputees are ‘supposed’ to do in pop culture, and thus it’s a narrative that makes people uncomfortable, and one that the filmmakers evidently simply didn’t want to deal with.
I could be wrong; perhaps in the next film we will learn that infection set in and they took the leg. But I doubt it, highly, because this doesn’t seem to be in character with way Hollywood works, where disability is erased when it doesn’t serve a greater narrative or actively defies tropes. Peeta cannot be allowed to be disabled.
I’m not sure I’d put a quote up, if it was me, and I had a library wall to deface. I think I’d just remind people of the power of stories, of why they exist in the first place. I’d put up the four words that anyone telling a story wants to hear. The ones that show that it’s working, and that pages will be turned:
“… and then what happened?”The four words that children ask, when you pause, telling them a story. The four words you hear at the end of a chapter. The four words, spoken or unspoken, that show you, as a storyteller, that people care.
I have finished Merlin.
And it has finished me.
I… no. Too many. Too many feels.